Install Theme
anachoretique:

John Gutmann. The Game New Orleans, 1930.

anachoretique:

John Gutmann. The Game New Orleans, 1930.

studiotilt:

With the arrival of the Shed pieces it’s round 2 @unicreativearts for the #comake activity - more to follow!! (at University for the Creative Arts (UCA) Epsom)

studiotilt:

With the arrival of the Shed pieces it’s round 2 @unicreativearts for the #comake activity - more to follow!! (at University for the Creative Arts (UCA) Epsom)

workman:

mentaltimetraveller:
CATRIN ANDERSSON
Passage, 2014

workman:

mentaltimetraveller:

CATRIN ANDERSSON

Passage, 2014

semioticapocalypse:

Alfred Eisenstaedt. Egyptian Fishing Boats, Suarez Canal near Port Said, 1935

[::SemAp FB || SemAp::]

semioticapocalypse:

Alfred Eisenstaedt. Egyptian Fishing Boats, Suarez Canal near Port Said, 1935

[::SemAp FB || SemAp::]

semioticapocalypse:

Rebecca Horn. White Body Fan. 1972

[::SemAp FB || SemAp::]

semioticapocalypse:

Rebecca Horn. White Body Fan. 1972

[::SemAp FB || SemAp::]

semioticapocalypse:

Piergiorgio Branzi. Adriatico. 1957

[::SemAp FB || SemAp::]

semioticapocalypse:

Piergiorgio Branzi. Adriatico. 1957

[::SemAp FB || SemAp::]

cabinporn:

Boathouse with multi-colored bunks in Hudøy, Norway.

Design by Snøhetta.

semioticapocalypse:

Bernd & Hilla Becher. Rinsdorfer Straße, 1959

[::SemAp FB || SemAp::]

semioticapocalypse:

Bernd & Hilla Becher. Rinsdorfer Straße, 1959

[::SemAp FB || SemAp::]

I prefer winter and fall, when you feel the bone structure of the landscape - the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn’t show.

— Andrew Wyeth (via aurorefleurs)

(via workman)